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It
is frightfully common - on nearly 75% of cellos in existence - and
it is easily remedied in most cases, yet it is still something
that causes confusion and frustration in cellists from young to
old, from beginner to seasoned veteran - the wolf tone. It's
difficult to describe a 'wolf tone', but essentially it comes
across as a warbling tone where the sound of the note being played
actually skips from the note to a harmonic or series of harmonics,
and back very rapidly. There are a number of theories on the
cause of the wolf tone, but a widely general consensus is that it
has to do with a conflict of fundamental tones within the
instrument itself, and the instrument is unable to contain the
massive amounts of vibrations caused by conflict and still create
one tone, but rather it breaks up the tone and the sound comes
across as a 'wolf'. |
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The good news is that
the wolf tone can be minimized almost to the point of being
inaudible with a device called the wolf eliminator, some of which
are relatively inexpensive, small, and easy to install.
There are several types of wolf eliminators - with the two basic
groups being 'interior' and 'exterior'. Interior wolf
eliminators are typically custom made by experienced luthiers and
are professionally installed. The more common variety is the
exterior wolf eliminator. |
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| fig.
1 - solid brass exterior wolf eliminators (shown in various
weights) |
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Exterior wolf
eliminators come in two common varieties, the traditional brass
cap with tightening screw and rubber core, and the new solid brass
version, shown in figure 1. These devices are installed on
the offending string between the bridge and tailpiece. What
a wolf eliminator does is reduce the vibrations emanating from the
string, and thereby reducing the vibrations occurring from the
wolf and making it nearly inaudible. The disadvantage is
that wolf eliminators do reduce vibrations from the entire string,
so some tonal loss may be experienced, but if your string is
producing too much tone for the instrument itself to handle
without producing a wolf tone, perhaps it is a good thing to
stifle it a bit. Wolf tones are most typically found on the
notes of the upper position on a cello - most commonly E, F and
F#. The position of the wolf eliminator on the string can be
customized to target these very notes by moving it to various
positions on the string itself.
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| This S.U.
tutorial courtesy of StringWorks, Inc.
A more detailed article is available HERE,
by Chris Clayton
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